Early this week, the U.S. House of Representatives nixed an amendment to a Hurricane Sandy relief bill that would have provided aid to victims of the 2012 wildfires in Colorado. KDNK’s Ed Williams spoke with Senator Michael Bennet, who co-sponsored the amendment.

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News

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February 27, 2015 | NPR · The Labor Department will draft new rules requiring retirement advisers to put consumers’ best interests first. The industry warns low-income people might lose out on financial planning advice.
 

AP
February 27, 2015 | NPR · Bush has appeared almost exclusively before friendly audiences since leaving the Florida governorship eight years ago, but today he faces a crowd of conservative activists.
 

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February 27, 2015 | NHPR · New Hampshire is the first state to outlaw voting booth selfies. Some call the ban unconstitutional and are challenging it in court. Others argue selfies compromise privacy and enable voter coercion.
 

Arts & Life

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February 27, 2015 | NPR · New episodes of Netflix’s House of Cards debut today, and NPR TV critic Eric Deggans says this season’s challenges may please critics who say the show’s vision of Washington, D.C. runs too smoothly.
 

Courtesy of Norton Simon Museum
February 27, 2015 | NPR · Manet was not himself an Impressionist, but he mightily influenced the movement. Two of his paintings are now in L.A. The Railway is making its West Coast debut, and Spring just sold for $65 million.
 

February 26, 2015 | NPR · NPR’s Kelly McEvers talks to journalist Laura Kasinof about her memoir on her experience reporting in Yemen during the Arab Spring called, Don’t Be Afraid of the Bullets.
 

Music

Netflix
February 26, 2015 | NPR · The show’s distinctive score is the work of Jeff Beal, who ushers viewers into its clandestine, manipulative and sometimes violent world by breaking a few musical rules.
 

Courtesy of the Artist
February 26, 2015 | NPR · See the trippy new video for “Rainbow” from People Get Ready’s album Physiques.
 

Courtesy of the artist
February 26, 2015 | NPR · The Montreal band mines the built-in tension between its many sources of effervescence and the darker shading in its words and backgrounds.
 

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