The Budget, sequestration, and how it all began. Former NPR Congressional correspondent Andrea Seabrook examines the sequestration as part of her new project, DecodeDC.

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News

St. Louis Post-Dispatch/MCT/Landov
September 23, 2014 | KHN · Supporters of the controversial, high-priced treatment say routine coverage would help propel research that would support its use. Skeptics say that approach is backward.
 

September 23, 2014 | NPR · President Obama spoke about airstrikes in Syria on Tuesday morning, moments before he left for New York for the United Nations General Assembly meeting.
 

Getty Images
September 23, 2014 | NPR · “There is such a thing as being too late,” President Obama says in his address to the U.N. Climate Summit. The White House is touting tools to boost “global resilience” in the face of climate change.
 

Arts & Life

September 23, 2014 | NPR · Sarah Waters’ spellbinding novel — about two women in 1920s London — is no simple period piece. Waters is a superb storyteller with a gift for capturing the layered nuances of character and mood.
 

NPR
September 23, 2014 | NPR · Making challah for the Jewish New Year lets the baker take a moment to reflect on life’s blessings. The bread can be shaped into the traditional round, or a lion or bird to echo Bible verses.
 

Getty Images
September 23, 2014 | NPR · The firestorm kicked off by a New York Times analysis of TV’s most successful black female showrunner mostly highlights how some struggle to handle new voices taking over the cultural conversation.
 

Music

Courtesy of the artist
September 23, 2014 | NPR · Much like the duo’s previous soundtracks for The Girl With The Dragon Tattoo and The Social Network, the Gone Girl score is extraordinarily creepy.
 

Courtesy of the artist
September 23, 2014 | WXPN · Hear songs from the Mercury Prize-winning British band’s new album, This Is All Yours.
 

Courtesy of the artist
September 23, 2014 | NPR · In a slowly enveloping track for harp, guitar and synth, director Naomi Yang (Galaxie 500, Damon & Naomi) explores the “remnants of what has been lost and what remains.”
 

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