The Middle Distance 5.25.12

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Photo by Sean Cayton

Last Sunday afternoon, I had a garden party just in time for the solar eclipse. I had paid more attention to the food preparation than the celestial event, and I was more preoccupied with the possibility of rain than the certainty that the sun would go out, but I was glad when my friend the umbraphile arrived with eclipse glasses in hand for the viewing.

A vague memory crept up of marching in line with my elementary school classmates, shoeboxes in hand, to the flat plain of the school playground to view an eclipse, or a projection of an eclipse through pinholes, sometime in the 1960s. I remember feeling vaguely afraid, not that this was an ominous event as it was viewed in ancient times when Zeus or some other god would black out the sun, but that Art Slaughter, who could never follow the rules, would dare to turn around and look straight at the sun and would fall blind immediately. Our teacher had spent what seemed an inordinate amount of classroom time warning us about fried retinas. Still, out on that playground on an unusually cloudless Kentucky day, it felt disappointing to turn our backs to the sun. I couldn’t quite understand what we were supposed to see beyond the pinhole, and I remember the shudder that ran through my body when the afternoon turned darkish. I remember the relief I felt when the sun’s rays returned, warming the sight of my front yard, just across the street from the school.

Not much mystery remains in the 21st century, when the exact trajectory of the moon’s orbit is mapped and the entire event of a solar eclipse can be viewed anywhere in the world, in real time, on an electronic device. But there was something distinctly thrilling and faintly primitive about standing there, feet planted on our little piece of Earth, looking up at the sky and watching the moon pass in front of the sun.

We milled about as adult partygoers do, catching up, wandering around the garden identifying plants. I herded everyone toward the sangria and the mountains of food. Chairs had been set out but everyone stood, paper plates balanced in one hand. About an hour into the party, I noticed that a number of guests had migrated out the back gate into the alley, among the weeds and garbage cans I’d hoped would remain hidden. Someone rigged a pinhole viewer from two cardboard boxes and held them up, back turned to the sun, blindly searching for the perfect angle. Eventually the eclipse viewers moved to the front side of the house, the middle of the street, to watch the maximum event, the moment when earth and moon’s orbits perfectly aligned and the moon would appear to cover most of the sun.

This strange green afternoon evoked two images that have stayed with me for days. One is of being nine years old, in the soft grass of my childhood back yard, repeating back bends and walkovers and handstands for what felt like hours. In memory I am alone, arms stretched and spine bent, then I fall onto the carpet of grass and stare directly at the sun. I believe it will not damage my eyes because it is overlaid with a white haze. The other memory is of my grandfather, during his last days of good health before old age sent him to a nursing home, in the last job of his life — mowing the fairways at a municipal golf course, living in the tiny groundskeeper’s cottage, driving round and round beneath magnificent beech trees, circling the greens in perfect clipped rows. I remember being a busy grown-up with a houseful of young children and visiting him there and seeing the glint of youthful excitement in his eyes as he told me about his long work days in the beating sun.

On eclipse Sunday, sunset approached, the food was dwindling, and the light became silvery gray. Shadows sharpened along fencerows. People’s faces were illuminated, as if by one of those ghastly magnifying makeup mirrors that show every line and pore. Eyeshadows turned fluorescent and lipsticks cracked. The iris in the backyard, mardi gras colors in normal afternoon light, emitted an electric glow.

I joined the small crowd in the street just as the moon centered itself over the sun. We had to step farther and farther back, aligning our view through the eclipse glasses as the sun sank lower in the sky. A blur, then focus: around the edges of the blackened circle, a glowing corona of whispering orange gases, the ring of fire, everlasting light.

Kathryn Eastburn is the author of A Sacred Feast: Reflections of Sacred Harp Singing and Dinner on the Ground, and Simon Says: A True Story of Boys, Guns and Murder in the Rocky Mountain West. You can comment and read or listen to this column again at The Big Something at KRCC.org. “The Middle Distance” is published every Friday on The Big Something and airs each Saturday at 1 p.m. right after This American Life.

 

5 Responses to The Middle Distance 5/25/12: The Ring of Fire

  1. Siri says:

    This lil’ gem puts the ‘cult’ in cultural musing! Sometimes, with all the noise & essential business of life, We forget 1.) how fallible we are when compared to stars & 2.) how we never-the-less manage to fulfill our weekly job expectations.

  2. Rose Enyeart says:

    What a fun time and it, too, will be stashed in our memories. Thanks for writing down the image.

  3. Liz says:

    It WAS a great party, and thanks to whomever brought the glasses so we could see the eclipse! I too, remember the elementary cardboard box eclipse viewers, and standing on the playground trying to get the angle right.

  4. hannahfriend says:

    My most memorable eclipse was back in the 1970s. I did the pinhole thing and managed to focus a crescent on the sidewalk. That’s when I noticed there were identical crescents nearby on the sidewalk, thousands of them. These were images of the eclipse filtered through the leaves of a tree. Magical.

  5. Jack Prozac (pseudonym) says:

    I needed this. Lemmie return the favor. PEACE LOVE ART LOCAL:

    Eclipse
    (John Waters/Pink Floyd) 2:04

    All that you touch
    All that you see
    All that you taste
    All you feel.
    All that you love
    All that you hate
    All you distrust
    All you save.
    All that you give
    All that you deal
    All that you buy,
    beg, borrow or steal.
    All you create
    All you destroy
    All that you do
    All that you say.
    All that you eat
    And everyone you meet
    All that you slight
    And everyone you fight.
    All that is now
    All that is gone
    All that’s to come
    and everything under the sun is in tune
    but the sun is eclipsed by the moon.

    “There is no dark side of the moon really. Matter of fact it’s all dark.”

News

AP
October 31, 2014 | NPR · The state has sent National Guard troops to the town of Pahoa to assist with a road block and security.
 

LA Johnson/NPR
October 31, 2014 | NPR · Our new series will tell the stories of great teachers, and explore some big questions: What is great teaching? Can it be taught? How do good teachers become great ones?
 

EPA/Landov
October 31, 2014 | NPR · Eric Frein, who investigators say fatally shot a police officer and wounded another, was arrested on Thursday after eluding authorities for 48 days.
 

Arts & Life

October 31, 2014 | NPR · Kenneth Turan reviews Nightcrawler, a thriller set in the “nocturnal underbelly” of Los Angeles. Jake Gyllenhaal plays a young man who discovers the world of L.A. crime journalism.
 

October 31, 2014 | NPR · In 1965 the work of six local painters went on exhibit at the now-defunct Washington Gallery of Modern Art. The show launched a movement, and the painters’ work now hangs in major museums. One of those artists, now 97, lives in Arlington, Va.
 

October 31, 2014 | NPR · A new digital platform called Simpson’s World has all 25 years’ worth of the show. FX says it is trying to cater to both old-fashioned TV fans and people who watch shows on other devices.
 

Music

Courtesy of the artist
October 31, 2014 | WXPN · The Scottish soul singer, a best-seller in Europe, plays songs from his new album, Caustic Love.
 

Courtesy of the artist
October 30, 2014 | NPR · The song is the exuberant sound of a novice exploring the possibilities of alternative electronic dance music with no real rule book or manual at his disposal.
 

Mountain Stage
October 30, 2014 | NPR · Hear a live set from the banjo master, who’s long been expanding the instrument’s possibilities.
 

Get the KRCC iPhone App

The Writer's Almanac

Radiolab