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Big Something intern Ruby Kimberly put together this look back at Drop City—frequently cited as the first artist/hippy commune—in Trinidad, Colorado. Kimberly writes:
In passing through the region surrounding Trinidad, CO today, one encounters a vast expanse of arid and sparsely populated land where, for a brief moment in the 1960s and 70s, became a strangely futuristic rural stopping point for young idealists and travelers traversing the country who sought new and radical experiences to transform their lives and society at large. Indeed, from 1965 through the early seventies, a small plot of land in this southeastern corner of the state played host to one of the country’s first rural artists communes– a bastion of radical innovation and youthful idealism called Drop City.
Influenced by Buckminster Fuller, Allan Kaprow and the experimental Black Mountain College among others, Drop City was founded in 1965 by Gene Bernofsky, JoAnn Bernofsky, Richard Kallweit and Clark Richert
and John Curl, the 7-acre tract of land located four miles north of Trinidad became a living work of “Drop Art”, a concept that called for the informed integration of art into everyday life developed by the founding members while at the University of Kansas. It quickly gained notoriety for its unique and visually striking structures based on Buckminster Fuller’s geodesic domes, which were constructed with panels made of automobile roofs and other recycled materials that residents built for the purposes of housing and community space. As a testing ground for efforts in renewable energies and alternative lifestyles (most of which failed), Drop City became the model for many other hippy communes.
I spoke with John Curl, Drop City resident and author of “Memories of Drop City”. Here (in the slide show above) Curl, who is a poet and notable activist in the modern cooperative movement, reflects on the joys and trials of trying to transform mass society through creativity and communal dedication.
Below is a trailer for a documentary-in-progress filmmakers by Joan Grossman and Tom McCourt. You can find out more about the film HERE.
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